Friday, February 14, 2014

Spoken word

Last night, I wrote an entire scene of dialogue. Just dialogue. That's not something I've done before and it's definitely not the way I usually write. But I really liked it.

I could say that's the approach I took because I was tired or I knew we had a big day at work today and I needed to shut down early. But truth is, I think the two characters in this scene were talking at me so much I could only quiet them by translating their conversation via keyboard -- with a quickness.

By not troubling myself with facial expressions, smells, gestures, sounds, setting, etc., I forced myself to get every word right in establishing the purpose of that scene and moving the plot forward. What they said to each other is crucial to the story. And because I pared down the writing to nothing but dialogue, they said what mattered in a way that will make it easy for me to go back and fill in the supporting cast of  facial expressions, smells, gestures, sounds, setting, etc.

I have to say that I like this bare bones approach. Every now and then (I confess), I've lost my writer's way along the road to creating a crisp night, or a steamy love scene. I finish what the characters are doing and lose the precious phrase between them that turned the action from right to left, from predictable to..."didn't see that coming!"

But not last night. Even as I re-read the scene, I know what they were doing because I chose active, vivid words that relay their pain and disappointment, their discovery and surprise.

It made me think of a movie I LOVE. Have you ever seen Closer with Julia Roberts, Clive Owen, Jude Law, and Natalie Portman? (Oscar-nominated, thank you.) That flick is a study in dialogue for me. I watched it over and over again when it was out years ago, and each time I felt compelled to rewind if I missed a single sentence. What they said mattered, word after word.

Which is how a book should be written.

It shouldn't be a string of 80,000 words, but a melody of 80,000 acoustic notes, so that when you say them aloud and the reader plays them through his/her brain, they ring authentic and emotional.

And when you miss a word -- the right word or turn of phrase -- the attentive reader knows that the conversation is out of key.

Whether or not I'll write tonight's scene as pure dialogue remains to be seen. It's early for me to hunker down. But already, I hear the heroine's voice pleading at me to not miss a single note -- uh, word. Seems she has more tunes via story to tell.


Stefanie
www.stefanieworth.com

(Photos via Microsoft Clipart)
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